ABOUT
THE BAND
Katie Sawicki: vocals, guitar, piano
Zanny Geffel: drums, vocals
Kelly Clifton: Bass
Jean Mastaler: Violin
The Cabin Project, a quartet of Portland-based musicians, is a musical hybrid of folk/rock/indie and orchestral; sounds stem from haunting choruses, three-part harmonies, pedals, synths and strings. The songs are musically expansive, yet retain an intimacy similar to that of The National, Warpaint, This Is The Kit and Bon Iver.
The band, started as a project of Katie Sawicki - a former-folksinger from Brooklyn, gone electric, is now defined by musical partner Zanny Geffel, rooted in jazz and percussive inspired drums, and collaborators Jean Mastaler on harmonically effect-layered electric violin and Kelly Clifton on reverent, counter-melodic bass.
The Cabin Project's newest album, "Decenter" was released January 31st, 2019. It was recorded by engineer Josh Powell of The Map Room Studio in Portland, Oregon, and mastered by acclaimed NYC based Sarah Register.
Best described by Tucson weekly...The Cabin Project is "A sonic reflection of watching a Southern winter unfold through a smudged window at a Greyhound bus station, the music is intimate and subtle and warm. It reveals melodic sparseness of Leonard Cohen and post-Low creep. And like Cohen, The Cabin Project has a lonesome sound, but not so much to make you feel all alone."
PRESS:
"Like their name suggests, the band’s sound is reminiscent of the kind of intimate space created by artists like Bon Iver. The group uses traditional orchestral and choral methods to create a track that is inexplicably modern, heavy, and pop at the same time." - American Songwriter
"Expect multi-part harmonies, horizon-wide vibes, and plenty of cozy roots-pop songs augmented with beautiful string sections. This stuff is well traveled but tuneful, and deeply relatable yet ambitious." - Portland Mercury
"The album embodies the musical interplay of this four women powerhouse, resulting in forty minutes of politics, passion, and nostalgia."
- I'm Music Magazine
“…impressively educated string section with octave pedals and vocal harmonies to create music that’s both
intimate and otherwordly.” – Bitch Magazine
"Think Appalachian gospel turned on its head—no angels, only ghosts. It’s got three-part female harmonies that bend and stretch minor-chord progressions, while viola and guitar gently embrace sadnesses, adding a blanket of warmth. Orchestral drums offer sparse rhythmic counterpoints—and pedals dampen it all. A sonic reflection of watching a Southern winter unfold through a smudged window at a Greyhound bus station, the music is intimate and subtle and warm. It reveals melodic sparseness of Leonard Cohen and post-Low creep. And like Cohen, The Cabin Project has a lonesome sound, but not so much to make you feel all alone." - Tucson Weekly
"Orchestral arrangements and lush harmonies help push the indie rock of Oregon band The Cabin Project out of the mundane, fully forming something emotive and hair-raising. Lead singer Katie Sawicki was a Brooklyn folkie, and that period served as an effective apprenticeship. She's carried all of that songwriting know-how into the band environment, and it works wonderfully. - Tucson Weekly
"The Cabin Project, an orchestral indie pop trio from Portland, creates atmospheres that envelop and entrance on its upcoming album, Unfolded." - AllMusic.com
"A lush, orchestral piece of indie pop, 'Highways' is pulsating and downright gorgeous" - Magnet Magazine
"Their sound is layered in many different musical flavors including indie rock, folk, classical, pop and more. It’s a really unique sound that refuses to be put in a box or defined by a label that society seems so fixated on doing too many times." - I'm Music Magazine
Last month, the trio premiered the “majestic, stirring song,” ‘Highways’ on The Big Takeover
“Harmonies and string sections flirt playfully, with weighty choruses and orchestral effects that elevate their songs to a whole other level.” – Deli Magazine
PRESS
June 2016
"Like their name suggests, the band’s sound is reminiscent of the kind of intimate space created by artists like Bon Iver. Throw is a sweeping, anthemic combination of the trio’s skillful string sections and three-part harmonies. The group uses traditional orchestral and choral methods to create a track that is inexplicably modern, heavy, and pop at the same time." - American Songwriter (Annie Adams)
"Personally, I’m excited about any band that includes a performer who has a PhD in viola. In The Cabin Project, that’s viola player Rebekah Hanson, who makes up part of the three piece that also includes multi-instrumentalist Katie Sawicki and drummer/vocalist Zanny Geffel. The group combines its impressively educated string section with octave pedals and vocal harmonies to create music that’s both intimate and otherworldly. " - Bitch Media (Sarah Mirk)
February 2016
"The beauty is the magic that happens when their three voices collide into one melodious symphony that needs to be heard to fully appreciate. The brains is the music their fingertips make with their respective instruments; Zanny on drums, Katie on guitar, and Rebekah, viola. Combining all that with Katie’s lyrics gives you a band with a much bigger sound than its three members." - Portland Playlist's Luke Neill
February 2016
"The Cabin Project take a symphonic approach to indie rock, with their songs seeming to sweep over you like a leaves in a light wind. Harmonies and string sections flirt playfully, with weighty choruses and orchestral effects that elevate their songs to a whole other level." - Deli Magazine
October 2013
“Heliotrope is the second album from the Cabin Project, the Portland group that describes itself as “orchestral indie pop from the Pacific Northwest.” This phrase evokes the sound of the majestic Heliotrope perfectly; it’s a record whose prettiness is vast and rainy and windswept, and rooted in what seems like a small and sturdy community.”
-NED LANNAMANN Portland Mercury
October 2013
http://kzmeradio.blogspot.com/2013/10/the-cabin-project.html
“Heliotrope is a never-ending magical journey lead by what feels like a village of people who just know where we are headed. You can clearly feel the majesty and the down home connection between the words, the music and the music makers. Purchase the CD and listen to it during a blustery Pacific Northwest winter day or during a summer drive to the beach. You will feel better. Promise.”
December 2010- The Oregon Music News
“For the past 10 years, singer/songwriter Katie Sawicki– a Connecticut native who made her way to Portland, OR via Brooklyn – has been making her way across the country singing her “deeply original poetic expressions” in a traditional acoustic folk/Americana style that has, until now, been her signature sound. While it was all the Boston contemporary folkies that helped shape her initial approach to songwriting, today, that signature sound has evolved into a project that Sawicki calls “Chamber Folk” or “Indie, emo-rock,” with her latest effort and fourth studio release, The Cabin Project.
- Ana Ammann
Read Full article at: http://oregonmusicnews.com/blog/2010/12/09/katie-sawicki-unveils-the-cabin-project-at-mississippi-studios-saturday/
February 2011
“Some of Portland’s brightest musical talents, including Kristen Gass, Kendra Carpenter, Max Voltage, Zanny Geffel and Adam Sweeney collaborated throughout 2010 to form The Cabin Project and record the album. Sawicki’s emotive vocal fluidity complements the album’s percussive, yet ambient, tone. Candid lyrics and gentle vocals top it off, evoking an idyllic experience for the listener.
- Christine Antles
Read more at: Album Review: Katie Sawicki – The Cabin Project
REVIEWS OF SAWICKI’S PREVIOUS RECORDS….
June 2008 - Innocent Words By Jonathan Tuttle
“In a genre where originality has fallen by the wayside, Katie Sawicki unifies her strong vocals and equally as strong guitar-playing, with elements of folk, rock, pop and a little bluegrass thrown in as a nice touch. This singer/songwriter is not one-dimensional by any means.”
April 2008 - Feminist Review By Cheryl Reeves
“The songs released on her third album, Time Spent Lost, are seductive – exquisitely so – but they’re also deeply original poetic expressions of a gutsy soul navigating an odyssey of loneliness and heartbreak.”
February 2008 - Harris Radio By Pete Harris
“Katie Sawicki’s third album is a gem!”
March 2008 - Music-Reviewer By Abigail Thornton
“This album is fraught with songs about loneliness and leaving loved ones, yet the lyrics are some of the most honest and heartbreaking I have ever heard.”
March 2008 - Perfect Porridge By Greg Swan
“Indie-folk singer/songwriter Katie Sawicki is the girl next door crooner in the back corner of a dive bar you wish was going home with you tonight. Her new album, Time Spent Lost, is a rootsy romp through Americana. …I can picture her sitting in the back of my station wagon with a battered acoustic guitar, stringing together emotive lyrics culled from billboards and bumperstickers as we ride along the open plains.”
March 2008 - Outsmart Magazine By N.F.
“Traces of Lucinda Williams seep into this finely crafted collection…”
June 2006 - Boise Weekly By Jennifer Gelband
“Her voice is like that of a rugged angel. She writes songs about loneliness, about being short-changed and about hipsters…”
Katie Sawicki: vocals, guitar, piano
Zanny Geffel: drums, vocals
Kelly Clifton: Bass
Jean Mastaler: Violin
The Cabin Project, a quartet of Portland-based musicians, is a musical hybrid of folk/rock/indie and orchestral; sounds stem from haunting choruses, three-part harmonies, pedals, synths and strings. The songs are musically expansive, yet retain an intimacy similar to that of The National, Warpaint, This Is The Kit and Bon Iver.
The band, started as a project of Katie Sawicki - a former-folksinger from Brooklyn, gone electric, is now defined by musical partner Zanny Geffel, rooted in jazz and percussive inspired drums, and collaborators Jean Mastaler on harmonically effect-layered electric violin and Kelly Clifton on reverent, counter-melodic bass.
The Cabin Project's newest album, "Decenter" was released January 31st, 2019. It was recorded by engineer Josh Powell of The Map Room Studio in Portland, Oregon, and mastered by acclaimed NYC based Sarah Register.
Best described by Tucson weekly...The Cabin Project is "A sonic reflection of watching a Southern winter unfold through a smudged window at a Greyhound bus station, the music is intimate and subtle and warm. It reveals melodic sparseness of Leonard Cohen and post-Low creep. And like Cohen, The Cabin Project has a lonesome sound, but not so much to make you feel all alone."
PRESS:
"Like their name suggests, the band’s sound is reminiscent of the kind of intimate space created by artists like Bon Iver. The group uses traditional orchestral and choral methods to create a track that is inexplicably modern, heavy, and pop at the same time." - American Songwriter
"Expect multi-part harmonies, horizon-wide vibes, and plenty of cozy roots-pop songs augmented with beautiful string sections. This stuff is well traveled but tuneful, and deeply relatable yet ambitious." - Portland Mercury
"The album embodies the musical interplay of this four women powerhouse, resulting in forty minutes of politics, passion, and nostalgia."
- I'm Music Magazine
“…impressively educated string section with octave pedals and vocal harmonies to create music that’s both
intimate and otherwordly.” – Bitch Magazine
"Think Appalachian gospel turned on its head—no angels, only ghosts. It’s got three-part female harmonies that bend and stretch minor-chord progressions, while viola and guitar gently embrace sadnesses, adding a blanket of warmth. Orchestral drums offer sparse rhythmic counterpoints—and pedals dampen it all. A sonic reflection of watching a Southern winter unfold through a smudged window at a Greyhound bus station, the music is intimate and subtle and warm. It reveals melodic sparseness of Leonard Cohen and post-Low creep. And like Cohen, The Cabin Project has a lonesome sound, but not so much to make you feel all alone." - Tucson Weekly
"Orchestral arrangements and lush harmonies help push the indie rock of Oregon band The Cabin Project out of the mundane, fully forming something emotive and hair-raising. Lead singer Katie Sawicki was a Brooklyn folkie, and that period served as an effective apprenticeship. She's carried all of that songwriting know-how into the band environment, and it works wonderfully. - Tucson Weekly
"The Cabin Project, an orchestral indie pop trio from Portland, creates atmospheres that envelop and entrance on its upcoming album, Unfolded." - AllMusic.com
"A lush, orchestral piece of indie pop, 'Highways' is pulsating and downright gorgeous" - Magnet Magazine
"Their sound is layered in many different musical flavors including indie rock, folk, classical, pop and more. It’s a really unique sound that refuses to be put in a box or defined by a label that society seems so fixated on doing too many times." - I'm Music Magazine
Last month, the trio premiered the “majestic, stirring song,” ‘Highways’ on The Big Takeover
“Harmonies and string sections flirt playfully, with weighty choruses and orchestral effects that elevate their songs to a whole other level.” – Deli Magazine
PRESS
June 2016
"Like their name suggests, the band’s sound is reminiscent of the kind of intimate space created by artists like Bon Iver. Throw is a sweeping, anthemic combination of the trio’s skillful string sections and three-part harmonies. The group uses traditional orchestral and choral methods to create a track that is inexplicably modern, heavy, and pop at the same time." - American Songwriter (Annie Adams)
"Personally, I’m excited about any band that includes a performer who has a PhD in viola. In The Cabin Project, that’s viola player Rebekah Hanson, who makes up part of the three piece that also includes multi-instrumentalist Katie Sawicki and drummer/vocalist Zanny Geffel. The group combines its impressively educated string section with octave pedals and vocal harmonies to create music that’s both intimate and otherworldly. " - Bitch Media (Sarah Mirk)
February 2016
"The beauty is the magic that happens when their three voices collide into one melodious symphony that needs to be heard to fully appreciate. The brains is the music their fingertips make with their respective instruments; Zanny on drums, Katie on guitar, and Rebekah, viola. Combining all that with Katie’s lyrics gives you a band with a much bigger sound than its three members." - Portland Playlist's Luke Neill
February 2016
"The Cabin Project take a symphonic approach to indie rock, with their songs seeming to sweep over you like a leaves in a light wind. Harmonies and string sections flirt playfully, with weighty choruses and orchestral effects that elevate their songs to a whole other level." - Deli Magazine
October 2013
“Heliotrope is the second album from the Cabin Project, the Portland group that describes itself as “orchestral indie pop from the Pacific Northwest.” This phrase evokes the sound of the majestic Heliotrope perfectly; it’s a record whose prettiness is vast and rainy and windswept, and rooted in what seems like a small and sturdy community.”
-NED LANNAMANN Portland Mercury
October 2013
http://kzmeradio.blogspot.com/2013/10/the-cabin-project.html
“Heliotrope is a never-ending magical journey lead by what feels like a village of people who just know where we are headed. You can clearly feel the majesty and the down home connection between the words, the music and the music makers. Purchase the CD and listen to it during a blustery Pacific Northwest winter day or during a summer drive to the beach. You will feel better. Promise.”
December 2010- The Oregon Music News
“For the past 10 years, singer/songwriter Katie Sawicki– a Connecticut native who made her way to Portland, OR via Brooklyn – has been making her way across the country singing her “deeply original poetic expressions” in a traditional acoustic folk/Americana style that has, until now, been her signature sound. While it was all the Boston contemporary folkies that helped shape her initial approach to songwriting, today, that signature sound has evolved into a project that Sawicki calls “Chamber Folk” or “Indie, emo-rock,” with her latest effort and fourth studio release, The Cabin Project.
- Ana Ammann
Read Full article at: http://oregonmusicnews.com/blog/2010/12/09/katie-sawicki-unveils-the-cabin-project-at-mississippi-studios-saturday/
February 2011
“Some of Portland’s brightest musical talents, including Kristen Gass, Kendra Carpenter, Max Voltage, Zanny Geffel and Adam Sweeney collaborated throughout 2010 to form The Cabin Project and record the album. Sawicki’s emotive vocal fluidity complements the album’s percussive, yet ambient, tone. Candid lyrics and gentle vocals top it off, evoking an idyllic experience for the listener.
- Christine Antles
Read more at: Album Review: Katie Sawicki – The Cabin Project
REVIEWS OF SAWICKI’S PREVIOUS RECORDS….
June 2008 - Innocent Words By Jonathan Tuttle
“In a genre where originality has fallen by the wayside, Katie Sawicki unifies her strong vocals and equally as strong guitar-playing, with elements of folk, rock, pop and a little bluegrass thrown in as a nice touch. This singer/songwriter is not one-dimensional by any means.”
April 2008 - Feminist Review By Cheryl Reeves
“The songs released on her third album, Time Spent Lost, are seductive – exquisitely so – but they’re also deeply original poetic expressions of a gutsy soul navigating an odyssey of loneliness and heartbreak.”
February 2008 - Harris Radio By Pete Harris
“Katie Sawicki’s third album is a gem!”
March 2008 - Music-Reviewer By Abigail Thornton
“This album is fraught with songs about loneliness and leaving loved ones, yet the lyrics are some of the most honest and heartbreaking I have ever heard.”
March 2008 - Perfect Porridge By Greg Swan
“Indie-folk singer/songwriter Katie Sawicki is the girl next door crooner in the back corner of a dive bar you wish was going home with you tonight. Her new album, Time Spent Lost, is a rootsy romp through Americana. …I can picture her sitting in the back of my station wagon with a battered acoustic guitar, stringing together emotive lyrics culled from billboards and bumperstickers as we ride along the open plains.”
March 2008 - Outsmart Magazine By N.F.
“Traces of Lucinda Williams seep into this finely crafted collection…”
June 2006 - Boise Weekly By Jennifer Gelband
“Her voice is like that of a rugged angel. She writes songs about loneliness, about being short-changed and about hipsters…”
